法國五月：從物象世界中解放, 3位藝術家創造「無形之境」The Realm Without Shape

天趣隆重呈現【法國五月】聯辦節目「無形之境」法國藝術展，在天趣當代藝術館展出法國藝術家 馬克．坦吉 Marc Tanguy 及兩位旅法藝術家 林鳴崗 和 藏淵 的抽象作品

展覽於 5月20日開幕並在同日下午 5至8時舉辦開幕之夜，展期至 6月30日

開放時間 Opening Hours:
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星期一至五     Mon – Fri 10:00 – 19:00
星期六            Sat 12:00 – 18:00
星期日及公眾假期 Sunday & Public holidays by appointment

展覽地點 Venue:
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香港荃灣美環街一號 21 樓
21/F, 1 Mei Wan St., Tsuen Wan, Hong Kong

 

注：法语歌曲是 “风沙卷走我们 Le Vent Nous Portera”（“大浪淘沙”之意）。这是 2001年（唱片出版发行两星期后，发生 911）原版。此曲得 2002年法国“胜利”奖，MV 得同奖。至少 7位歌手翻唱并被众多影片当作插曲

法国五月节联办展「无形之境 —— 法国艺术展」

天趣隆重呈現法國五月聯辦節目「無形之境」法國藝術展，在天趣當代藝術館展出法國藝術家 馬克．坦吉 Marc Tanguy 及兩位旅法藝術家 林鳴崗 和 藏淵 的抽象作品。展覽於 5月20日開幕並在同日下午 5至8時舉辦開幕之夜，展期至 6月30日

每位藝術家的靈性和意念都與他的藝術都有著密不可分關係。從物象世界中解放，藝術家創造出與自我靈魂最接近的語言，追求著有關藝術本體和美感的永久價值。「無形之境」同時象徵著三位藝術家筆下無形之境，在無形的形式下緊扣著現象世界和人文精神的面貌。他們的作品同時有著對宏觀和微觀世界的詩意般創作，產生出無邊無際、且動且靜的視覺體驗

 

旅法多年林鳴崗傳承以古典主義和印象派的傳統手法，用光色並重的油畫語言構建大自然的神采、秘密與詩意。以色調明暗舖陳光影，以有致的筆觸編織畫面。在不被現實世界形式約束之下，藝術家依然走向大自然風采的純粹，為人類和自然世界搭建出另一重橋樑。藝術家猶如一位行吟詩人，在作品中寄予了敏銳的觀察與細膩的感受，使作品喚起人對宇宙的沈思和對光明的嚮往

曾師承趙無極，法國畫家 馬克．坦吉 Marc Tanguy 擅長透過明亮清晰的用色、短小的筆觸和隨意的線條創造出大自然模糊的輪廓。藝術家對色彩、材料和構圖進行過長時間的實驗，這使他逐漸脫離景物的再現，轉而以空靈的抽象空間，喚起大自然的靈魂和其詩意的精神狀態。他的作品散發著獨有的張力，在鮮明的色彩對比和顏料濺散的狀態下，畫面滿溢的愉悅精神

Marc Tanguy 塑造出平和一致的力量與速度感，在變化無常的世界和內在寧靜中尋求平衡，體現了他的藝術修養

他的學生旅法藝術家藏淵的創作手法探索東西方美學的融合，兩種觀念不斷在他的意識中碰撞，近年作品畫面以激情澎湃的色彩迸濺和交織，形成一種既明快又飽滿的狀態。新一系列的作品以「意識」為題，揭示出人的身體、精神靈魂、欲望、外在經驗、道德感、世界觀的連結，由過往景象式的幽遠詩意，轉化成現在更具戲劇性和哲思性的構圖

「無形之境」同時象徵著三位藝術家筆下無形之境，撇除具象化的束縛，在無形的形式下緊扣著現象世界和人文精神的面貌。他們的作品同時有著對宏觀和微觀世界的詩意般創作，產生出無邊無際、且動且靜的視覺體驗。

The Realm Without Shape

Art of Nature grandly presents The Realm Without Shape– French Art Exhibition at Art of Nature Contemporary Gallery, one of the associated programs of French May Arts Festival, featuring abstract works by French artist Marc Tanguy and French-based Chinese artists Lam Man Kong and Cang Yuan. The exhibition is on view from 20th May to 30th June and the opening night will be on 20th May (Fri) from 5 to 8 PM.

Art is inseparable from the spirituality and idea of the artist. Emancipated from the objective world, the artist creates a language that is the closest to his own soul, pursuing the permanent value of art itself and aesthetics.

Marc Tanguy was a student of Zou Wu-ki. He maintains a high will to represent the harmonic union between the tangible world and the human imagination. Through bright and clear colors, short brushstrokes and random lines, the artist outlines the silhouette of nature and opens up an immersive space that allows the audience to wander between reality and imprint. Such space is accompanied by perceptual movement. Abstraction is ubiquitous, emphasizing what the artist loves most about blurring lines and how he reexamines nature. Tanguy has been studying and experimenting with colors, material and composition for a long time. This long journey has made him gradually break away from the reproduction of the scene, and turn to evoke the soul of nature and its poetic state. He endows reality with a flickering and ecstatic visual effect, filling the work with tension and resonance, contrast and splash, and an overflowing spirit of joy.

Lam Man Kong inherits the traditional techniques of classicism and impressionism. He uses the language of oil painting with equal emphasis on light and color to construct the spirit, secrets and poetry of nature. The color and shade conceive the light and shadow, and the picture is fabricated with consistent brushstrokes. Without being constrained by the form of the natural world, the artist moves towards the purity and enchantment of nature. Composes a new connection between human beings and the natural world. The artist is like a troubadour who puts keen observation and delicate feeling in his works so that the works evoke people’s contemplation of the universe and yearning for light.

Cang Yuan continues exploring the integration of Eastern and Western aesthetics. These two concepts constantly collide in his consciousness and inspire him. His abstraction is more lyrical, informal and gestural. The vibrant and symphony-like colors splash and interweave on his canvas. His work ultimately formulates a state of complexity and fullness. The new series of works is titled “Conscience”, revealing the connection between the human body, spirit, desire, external experience, moral sense, and worldview. As his art further cut off from realism and nature, he transformed his aesthetic approach from scenic poetry to philosophical and spiritual poetry, rooted solely in the internal experience. Since the change of his creative style in 2021, the artist has further mastered the fusion of colors, the movement and flow of matter, the effects of texture, the contrasts of light and dark, the depth or closure of space, through experiments with a multitude of effects. The works emit a struggle and dramatic atmosphere and a sense of minimalism and purity, with red, pink, yellow, light green, and other bright and full tones. They manifest the artist’s transcendence in forms and ideas about abstraction and pure aesthetics.

The Realm Without Shape symbolizes the imageless realm in artists’ minds yet is projected to the canvas. It is a realm tightly connected to the phenomenal world and humanistic spirit. The three artists thus create a boundless, dynamic yet tranquil visual experience for their audience.